Xây dựng bảng phân tích hình ảnh với 9 khung cảnh điện ảnh đầy đủ chi tiết

Prompt: Analyze the entire composition of the input image. Identify ALL key subjects present (whether it’s a single person, a group/couple, a vehicle, or a specific object) and their spatial relationship/interaction. Generate a cohesive 3×3 grid “Cinematic Contact Sheet” featuring 9 distinct camera shots of exactly these subjects in the You must adapt the standard cinematic shot types to fit the content (e.g, if a group, keep the group together; if an object, frame the whole object): *ROW 1 (Establishing Context):** *Extreme Long Shot (ELS):** The subjects) are seen small within the vast environment. *Long Shot (LS):** The complete subjects) or group is visible from top to bottom (head to toe / wheels to roof). *Medium Long Shot (American/3-4):** Framed from knees up (for people) or a 3/4 view (for objects) . **Row 2 (The Core Coverage): ** **Medium Shot (MS):** Framed from the waist up (or the central core of the object). Focus on interaction/action. **Medium Close-Up (MCU):** Framed from chest up. Intimate framing of the main subject(s). **Close-Up (CU):** Tight framing on the face(s) or the “front” of the object. ** Row 3 (Details & Angles):** **Extreme Close-Up (ECU):** Macro detail focusing intensely on a key feature (eyes, hands, logo, texture). **Low Angle Shot (Worm’s Eye):** Looking up at the subjects) from the ground (imposing/heroic). **High Angle Shot (Bird’s Eye):** Looking down on the subject(s) from above. Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups). A professional 3×3 cinematic storyboard grid containing 9 panels. The grid showcases the specific subjects/scene from the input image in a comprehensive range of focal lengths. **Top Row:** Wide environmental shot, Full view, 3/4 cut. **Middle Row:** Waist-up view, Chest-up view, Face/Front close-up. **Bottom Row: ** Macro detail, Low Angle, High Angle. All frames feature photorealistic textures, consistent cinematic color grading, and correct framing for the specific number of subjects or objects analyzed.”